Last Updated: September 29, 2026
The mist sits on the lake until about seven. Before that, you only hear things — a kingfisher, the drip off the roof, and then the first diesel engine of the morning, some vallam heading out with a fisherman standing at the back like he was born there. Which he was. I’m usually on the veranda with tea when the woodsmoke starts drifting across the water from the village side. That smell is how I know the day has actually begun.
People write to me asking how to choose a homestay in Alleppey, and they list the things you’d expect. Location. Price. Reviews. All fair. But almost nobody asks about the food, and honestly, that’s the thing I’d ask about first. You can sleep anywhere. You eat three times a day.
There is no menu at Evaan’s Casa. I get asked for one sometimes and I have to laugh a little. What would I even print? The answer changes depending on who rowed past that morning with what in their basket.
If the fish is good, we cook fish. If the paddy fields have given up something fresh, that’s lunch. If a neighbour’s coconut tree came down in last week’s wind, there will be coconut in everything for a few days and nobody complains. The homestay kitchen works like every kitchen on this island works. You cook what the day gave you.
Most people skip this, but the rhythm of the food is the rhythm of the place. December is not June here. Nothing is.
Ask any fisherman on this stretch about karimeen and you will lose twenty minutes of your life, happily. They will argue about it. December fish tastes different from June fish, and they all have a theory why. Less salt in the water, more rain, the bund, the moon, their uncle’s opinion. I’ve heard every version.
There’s truth in it, though. The Thanneermukkom bund keeps the salt water out of this side of the lake, which is why the paddy stays green so long and why the fish eat what they eat. The water changes through the year, and the fish change with it. So does the taste. Anyone who tells you karimeen is karimeen is not paying attention.
I’m biased, obviously. I grew up eating this. But guests notice it too, usually around the second or third meal, when they stop asking what’s in the dish and just eat.
The dining area opens to the water. That’s not a design decision I made, it’s just where the veranda is and where the table fits. But it does something to a meal. You eat slower. You look up between bites. A boat goes past and everyone turns their head, then goes back to the rice.
An elderly couple came for their fortieth anniversary last year. Forty years. They asked for nothing the whole stay except tea on the veranda at six in the morning, both days. No cake, no decoration, no fuss. I brought the tea and left them alone. On the second morning I watched them from the doorway for a second — not spying, just passing — and they were sitting there not talking, which after forty years is probably the whole point.
One monsoon evening the power went out. This happens. The generator kicks in but it hums, and we’d rather not run it during dinner, so we lit candles instead. A French couple at the table said the candlelit dinner beat anything they’d booked in Kochi. I don’t think they were being polite. Rain on the tin roof, candles, fish curry, and a lake you can’t even see anymore because it’s so dark. It was a good night.
Look, I know a power cut sounds like a flaw, not a feature. Some nights it is. But not that one.
Home-style Kerala food, cooked to be eaten, not photographed. Though people photograph it anyway. That’s fine.
A typical day might look like this:
| Dish | What’s in it |
|---|---|
| Karimeen pollichathu | Pearl spot from the lake, wrapped in banana leaf with masala |
| Fish curry | Coconut milk, kudampuli, curry leaves, whatever came off the boat |
| Avial | Mixed vegetables, coconut, a little cumin |
| Thoram | Greens thrown in a hot pan with mustard seeds in coconut oil |
| Payasam, some nights | Sweet, milky, gone before it cools |
That mustard seed sound — the pop when they hit the oil — is the sound of this kitchen. If you’re on the veranda you can hear it. That’s how close the kitchen is to where you sit.
Breakfast is usually puttu or appam with something, and coffee. Always coffee. You’ll want a second cup. Guests who stay a few days start appearing before it’s ready, just to sit. I like that. It means the food has done its job, which is not only to feed you.
If you want to see the rest of what staying here looks like, the Evaan’s Casa page has the rooms and the boat details. But the food you have to taste.
Either. Most people end up at the same table eventually, but nobody is forced into company here. If you want your meal carried to the veranda and silence, that works too. We’re not going to hover.
Tell me in advance and yes, within reason. Coconut is in almost everything, that one’s hard to dodge entirely. But we manage. Just don’t spring it on me at the table.
Less than you fear, more than you expect. We’ll dial it down if you ask. Some guests disagree, and that’s fair — a few of them want the real thing and then regret it around midnight.
There’s no road. We come by a six-minute boat, that’s it. Phone signal goes patchy in heavy monsoon and the mosquitoes show up at dusk, so bring what you need. The generator hums when the power’s out. That’s the honest version.
People ask how to choose a homestay in Alleppey and I always want to tell them the same thing: ask what the kitchen does. Not the photos of the room. The room matters, obviously — ours are simple, clean, lake-facing, fans and mosquito nets, hot water, a veranda that opens onto the water. But you’ll forget the room an hour after you leave. You’ll remember a meal for years. The Evaan’s Casa kitchen is the part of this place I’m proudest of, and it isn’t even on the menu.
The lake is flat right now. Late afternoon, the light going gold, and a boat heading back toward the village with two men and a dog in it. Somewhere behind me the mustard seeds are about to hit the oil. I should go check on dinner.
Plan your stay at Evaan’s Casa
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Evaans Casa — Homestay near Backwaters
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